Contact:
pbissell@delmar.edu

Dr. Paul Bissell
Asst. Professor of Music Technology

Formal Education

D.M.A. Degree (Music Composition/Theory) 2001 University of Texas at Austin
M.M. Degree (Music Performance-Percussion) 1990 University of Texas at Austin
B.A. Degree (Music Performance-Percussion) 1988 University of South Florida

 

Professional Performing Experience

1997- 2001 Corpus Christi Symphony (Principal)
1997- present Corpus Christi Ballet
1995- 1997 Shreveport Symphony
1992-1995 Ruston Symphony
1989-1992 The Austin Symphony
1990-1992 Austin Ballet
1990-1992 Austin Lyric Opera
1989-1991 Austin Chamber Players
1990-1992 Austin Sinfonetta
1988-1990 ISIS New Music Ensemble
1988 Florida Southwest Symphony Orchestra
1985-1988 The Florida Orchestra
1987-1988 Southwest Florida Symphony
1987-1992 Roundtop Festival Orchestra
1986-1988 Tampa Oratorio Society

Other Performing Experience

Luciano Pavoratti, The Joeffrey Ballet, Spy Kids II movie soundtrack, The Miami Ballet Co., Honolulu Symphony, Robert Merrill, Joan Rivers, Herman’s Hermits, The New York Ballet Co. The Diamonds, The Chordettes, Victoria Bach Festival, The New Texas Festival.

Teaching Experience

Spring 2007 - Present
Del Mar College - Associate Professor of Music Technology, Various Committees.- departmental and college wide..

Fall 1997-2007
Del Mar College - Assistant Professor of Music
Duties include: Applied Percussion, Music Technology, Percussion Methods, Percussion Ensemble, Music Appreciation, Faculty Council, Various Committees - departmental and college wide..

1992 -1997
Louisiana Tech University - Instructor of Music
Duties included: Applied Percussion, Music Technology, Percussion Methods, Percussion Ensemble, Freshman & Sophomore Theory, Marimba Band, Marching Percussion, Music Appreciation, Jazz Combo, Recruitment Coordinator.

1990-1992
Percussion Coordinator for the Leander Independent School District. Duties included beginning (6th grade) instruction in percussion, direction of the marching percussion section (9th-12th grade), director of the percussion ensemble, director of the experimental ensemble, sectional rehearsal for concert bands as well as all private applied lessons.

Percussion Coordinator for the San Marcos Independent School District. Applied percussion taught for grades 6-12. Various private and studio teaching positions including collegiate and high school band camps.

1988-1990
Teaching Assistant (full time) of Percussion at the University of Texas at Austin. Duties included 7-10 private students per semester, conducting the percussion ensemble, percussion inventory.

1984-Present
Various private and studio teaching positions including collegiate and high school band camps.

Musicals and Theatre Productions

A My Name is Alice, Alice in Wonderland, Annie, Anything Goes, Carnival, Carousel, Evita, A Funny Thing Happened on the Way to the Forum, The Boyfriend, George M! Hello Dolly, Into the Woods, Joseph and the Amazing Technicolor Dreamcoat, The King and I, Little Shop of Horrors, La Cage Aux Folles, Little Mary Sunshine, The Man of La Mancha, New York City Overtures, Nunsence, Showboat, Something’s Afoot, Stop the World I Want to Get Off, Teddy and Alice, Trouble in Tahiti, West Side Story.

Recordings (Engineer / Musician)

Tom Burritt - All Times Identical solo marimba

Spy Kids II - Movie Sound Track

Janis Potter- Variations in Blue solo marimba

Karl Korte - Extensions, A Retrospective of Electro/Acoustic Music - Centaur Records

Eric Johnson - Ah Via Musicum Capitol Records

Kirt Kempter - Standing on this Bridge - Red Dog Records

Kirt Kempter - Wrinkle in Time - Red Dog Records

James Lewis - You Must Remember This (with the University of South Florida Wind Ensemble) - GM Recordings

 

Publications (Articles)

Using REX files in Logic - Sound on Sound August 2007
"The Camera Eye"
transcription Drumhead magazine July 2007
Compression with Percussion
Percussive Notes, February 2004
Spicing up a Shuffle
Percussive Notes, April 2003
Sibelius 1.4
Percussive Notes, August 2001
The Art of Drumset Transcription Percussive Notes, Month 1998
Interview with Dave Weckl Percussive Notes, Month 1998
“Step It” Transcription (Dave Weckl - drums) Percussive Notes, Month 1998
Tenor Madness - Crosses Percussive Notes Month 1997
Tenor Madness - Sweeps Percussive Notes Month 1997
Tenor Madness - Combinations Percussive Notes Month 1997
Linear Vibraphone Voicings The Louisiana Musician March 1996
Beginning Drumset Comping Techniques The Louisiana Musician May 1995
(this article was also selected and appeared in Nebraska’s NMEA magazine)
Realistic Drumset Programming pt. I The Transoniq Hacker November 1994
Realistic Drumset Programming pt.II The Transoniq Hacker December 1994
The Whip Stroke Percussive Notes October 1993
Lutoslawski Concerto for Orchestra Percussive Notes Fall 1990

Publications (Books)

Tenor Madness - Advice, Instruction and Exercises for Advanced Tenor Techniques
90 pp. Go Fish Music 1996

Grantham: The Technique of Orchestration Fifth Edition- Percussion Editor

Composition

Studied with Milton Babbitt at the Festival at Sandpoint. Dan Welcher, Russell Pinkston, Don Grantham at The University of Texas.

Original compositions performed by: The Shreveport Symphony, Univ. of Texas Wind Ensemble (Jerry Junkin cond.), Louisiana Tech Wind Ensemble, Univ. of New Mexico Wind Ensemble, Univ. of Texas Percussion Ensemble, Univ. of South Florida Percussion Ensemble, Louisiana Tech Percussin Ensemble, The Univ. of Texas New Music Ensemble (Dan Welcher cond.), Percussive Arts Society International Convention (PASIC),The Roundtop Festival Brass, The Spokane String Quartet. Various other university and high school ensembles.

 

Clinics, Presentations and Adjudication

Percussive Arts Society Day of Percussion (LA), TMEA, SYLLABUS Conference, Louisiana All State, Numerous all county, district, and region festivals in Florida, Texas, Arkansas and Louisiana.

Member of the Percussive Arts Society Technology Committee

Business

Owner of Go Fish Music (www.gofishmusic.com), a music recording and publishing studio. Go Fish Music has been involved in numerous projects for sequenced productions in Texas and Louisiana. Recent projects included City of Austin, Rudimental Percussion Publications, Hyde Park Theater, Broadway Austin, Monroe Little Theater, Monroe Young Troupe, as well as various individuals. Go Fish Music is well versed in Digital Audio, MIDI sequencing, sound production, computer notation/engraving and composition of music using Logic Audio Pro, Final Cut Pro, Finale,Sibelius, Reason, Peak, etc.

 

Publications (Compositions)

The Alabados Song (Marimba and Tape) Go Fish Music 2001
Spumante (trans. for Wind Ensemble) Dan Welcher - Theodore Presser 2000
The Three Hoaxes (Clarinet, Cello and Marimba) Go Fish Music 2000
The Darwin Awards (Voice and Piano) Go Fish Music 2000
Hangar 84 (Marimba and Tape) Go Fish Music 1998
Castle Creek Overture (trans.for Wind Ensemble) Dan Welcher - Theodore Presser 1997
Archipelago (Flute and Percussion) Go Fish Music 1998
The Butterfly (solo marimba) Marimba Publications 1996
On Track (Orchestra) Go Fish Music 1995
The Alien Hustle (marching percussion) Go Fish Music 1994
G.H.Green Ragtime Vol. 1 (accompaniment tapes) Go Fish Music 1993
Three Subway Scenes (chamber orchestra) Go Fish Music 1991
Monster Mudder Truck Pull (percussion trio) Go Fish Music 1991
Green (Wind Ensemble) Go Fish Music 1991
The Resilient Heart (Wind Ensemble) Go Fish Music 1990
Equal Fire (percussion sextet) Go Fish Music 1990
Small Heroes (brass and percussion) Go Fish Music 1988 (Rev 1995)
Sunny’s Theme - Theme song airing on KEDM Radio’s (NPR) “Lagniappe” show